Fat Danny: Buy the CDs

After over 18 months of hard work, Fat Danny's long awaited CD, “Hoochie Mama”, is released.

“Hoochie” takes us on a voyage of discovery into the mind and life of Fat Danny. From a reminiscence of Danny's first guitar to a scathing commentary on our current uncertain economic times, nothing escapes the bull’s-eye of Danny's worldview and guitar.


“Hoochie Mama” is the 4th CD from the prolific pen of Fat Danny. Guest artists include Bonnie Pointer of the Pointer Sisters, the beautiful voices of Black Cadence, ace saxman Jeff Ackerman, and the 88 ivories of Chicago's Grooveyard Letchinger.

David Williams of Melrose Music Studios returns to lend his considerable expertise to record, mix, and master this new release.

If you liked “Life Behind the 8 Ball”, we think you’re going to love Hoochie Mama. It’s more of the unique Fat Danny take on the Blues with a couple of interesting twists. If you like an adult portion (warning Adult lyrics!) of the Blues with a good dose of bad-a** attitude, this CD is for you.

LIFE BEHIND THE 8 BALL is the third CD release from Fat Danny and Hard Tymz. Fat Danny Bennett is known as the High Desert Bluesman because he lives on the fringes of some of the most god-forsaken land in California. Danny's home on the edge of Edwards Air Force base suffers from some of the hottest days and coldest nights known to man. It's enough to give anybody the Blues. Danny and long-time drummer Mike Burnes grew up on the mean streets of LA's Frogtown, a place where if you weren't in jail by the age of 16, you weren't trying. Fat Danny inherited his love of the Blues from his Arkansas family. A family that had gone through the Depression and World War II listening to equal parts of the cryin’-in-your-beer music of the Louisiana Hayride and the deep Southern Blues of John R and the Hossman on WLAC radio.

LIFE BEHIND THE 8 BALL is Fat Danny's strongest offering to date. "Pocketful of Blues" kicks off the album with a powerful, hard-rockin' up tempo Blues. It never sinks to the indulgence of Blues Rock. Danny's work is always about the story and the song. He says, "It don't matter how great your guitar solo is, if you aren't telling a story people can relate to, you don't have a Blues song." "Insurance Song" has the lazy country shuffle feel of a Jimmy Reed classic. He's got a woman so good she's about to love him to death. "High Maintenance" is a little change of pace for the Hard Tymz. They move into the New Orleans funk territory of the Neville Brothers with a tongue-in-cheek story of a fellow who's gotten a little over his head with his jet-set girl friend. It brings a smile to my face cause we've all been there. After the light mood of "High Maintenance", "Payin' for My Sins" takes you to a completely different place. Harpmeister Eric Brown kicks off the mournful mood with some nice melodic lines. This tune has the feel of the classic Duke-Peacock recordings of the late 50's. Fat Danny reaches deep down into his soul and realizes (maybe too late?) that all the transgressions of his youth have consequences. "Little Rock" is a candidly autobiographical story of Danny's family. It pulls no punches about where he comes from and how he feels about it. It's got a little of the style of some of the best Southern Blues bands like the Allman Brothers. Ever had such a bummer of a day you didn't know if you could go on anymore? Danny takes us inside one of the worst days of his life after his Mother died. "Walkin' with the Lord" is appropriately mounted in a gospel setting with a background choir and a swirling Hammond organ. Danny and Mike Burnes show off their jazz chops in a gem of tune called "Dangerous Man". Danny's lyrics are sung in the first person of the town bad-ass. Mike B gives the tune an infectious laid-back groove. Eric and Doyle provide some nice tight solos. The title track of the CD, "Life Behind the 8 Ball" gives us a look inside the life of hard-workin' man who is trying to do what he feels is right and is still getting his ass kicked by the system. It contains a hidden tribute to Eric Brown's and Pam Bennett's departed fathers. "Can I Count On Your Love?" is a look back at the red-hot shuffles of the '20's and 30's. The inspiration for this tune was guitar virtuoso Nick Lucas. It takes you to the world of flappers, flasks of gin, and open roadsters. The last tune, "Sugar Sandwich", makes a perfect bookend for the album. I won't give away the narrative of the song, but if you didn't grow up poor, a sugar sandwich is a treat your momma made of butter, sugar, and two slices of bread.

LIFE BEHIND THE 8 BALL was made using the recording techniques of those classic Chess sides, real musicians, playing together in the studio direct to analog tape. Fat Danny and the band feel that this CD is their strongest effort to date and an accurate representation of their live sound and Danny's songwriting abilities. LIFE BEHIND THE 8 BALL is released on Jack’s Blues Shack records

The title says it all. It's definitely a four star CD led Fat Danny Bennett. He and the band take you on an unparalleled blues adventure. It's blues as it ought to be with every song telling a story. Bennett's musical prowess reminds one of Jimmy Reed. He does it all; write, sing and play various instruments. This is Bennett's blues and no one else's. This is a dynamic, electric collection. It is destined to be a future blues classic. One will look back on this like an Elmore James or Jimmy Reed collection and say "Wow he really understood the blues." With Fat Danny Bennett on vocals, guitar, and harp, you get a throwback to the days of Jimmy Reed. The music is his in all ways since he writes the lyrics and music to make his songs work. When you add to the mix Smith's keyboards; Big Mike Rincon's bass, and Mike Burnes smooth yet intense drums you get a blues mix worthy of hours of listening. If their power comes through on this CD imagine them live. Though I originally said I'd give this CD a four star rating I now revise that assessment. It's really too, too good to rate. Listen and be overwhelmed by "The Power of the Blues."
Lujira Cooper - Blues Onstage